Midas Pro X-CC-IP Pro Series Live Digital Console Control Center (Install Package)

$37,499.99
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SKU
MPro X-CC-IP
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Expected availability: 2-4 weeks
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Product Highlights

  • Control Surface with 2 x 15" Displays
  • 168 Channel Inputs at 96 kHz
  • 99 Time-Aligned Bus Masters
  • 29 x 100mm Midas Pro Faders
  • Color Coded LCD Channel Displays
  • Compatible with NEUTRON Audio Systems
  • Integrated 3-Way KVM Switch
  • Flip, FX, GEQ, and MCA Navigation Modes
  • Redundant Power Supplies

 This item is noncancelable and nonreturnable.

PRO SERIES

PRO X-CC-IP

Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate

  • Live performance digital console control centre with up to 168 simultaneous inputs
  • 99 time-aligned and phase-coherent mix buses
  • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate
  • HyperMAC router with 192 bidirectional channels over copper and optical fibre
  • Provides dual redundant snake connection to the NEUTRON Audio System Engine
  • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable
  • 10 VCA (variable control association) and 8 POPulation groups
  • Up to 36 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
  • Up to 24 simultaneous internal multi-channel effects
  • 29 Midas PRO motorised 100 mm faders
  • 2 daylight viewable 15” full colour TFT display screens
  • Fully interpolated touch sensitive controls
  • Optional wireless remote control with Midas MIXTENDER App for iPad*
  • Three bay auto-ranging universal switch-mode power supply with N+1 redundancy
  • 10-Year Warranty Program*
  • Designed and engineered in the U.K.

PRO SERIES PRO X-CC-IP

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.

Digital Audio Networking

SuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from KLARK TEKNIK simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.

The PRO X HyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5/5e cable.

PRO X is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.

PRO X Advanced Navigation Flexibility

PRO X incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO X also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO X’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.

Integrated Effects Processors and Graphic Equalisers

The PRO X can simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave KLARK TEKNIK DN370Graphic Equalisers (GEQs) are provided, which can be patched into any output.

PRO X provides comprehensive automatic latency management of all internal routing andprocessing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs,without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely.

All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.

MIDAS PRO Fader

Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.

As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.

PRO X-CC-IP

Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses, 96 kHz Sample Rate 

Technical Specifications

System Specifications
Sampling rate 96kHz
Latency delay <2 ms (Input to Master output with no latency compensation)
Dynamic range 110 dB, 22 Hz to 22 kHz
Maximum voltage gain 80 dB, Inputs to Subgroups and Masters
86 dB, Inputs to Aux and Matrix
Crosstalk -100 dB physically adjacent input channels
Fader/pan cut off -100 dB
Frequency Response 0 dB to -1.0 dB, 20 Hz to 20 kHz
Gain Error @ 1kHz ±1.0 dB
Input CMRR
0 dB gain -80 dB
+40 dB gain -90 dB
Distortion @ 0 dBu
0 dB gain 0.01%
+40 dB gain 0.03%
Distortion @ +20 dBu
0 dB gain 0.03%
+40 dB gain 0.03%
Noise Floor
0 dB gain -89 dBu, 22 Hz to 22 kHz (unweighted)
+40 dB gain -87 dBu, 22 Hz to 22 kHz (unweighted)
Equivalent Input Noise (EIN)
0 dB gain -89 dBu, 22 Hz to 22 kHz (unweighted)
+40 dB gain -127 dBu, 22 Hz to 22 kHz (unweighted)
Dynamic Range
0 dB gain 110 dB, 22 Hz to 22 kHz (unweighted)
+40 dB gain 108 dB, 22 Hz to 22 kHz (unweighted)
Analogue Audio System Inputs
Mic/Line Inputs
Quantity 8
Connector 3-pin XLR balanced mic/line input with +48 V phantom power
A/D converter 24 bit, 96 kHz with 128 x oversampling
Gain -25 dB to +60 dB
Maximum input level +26 dBu
Input impedance 10 kOhm
Talk Mic Input
Quantity 1
Connector 3-pin XLR balanced mic input with +48 V phantom power
Mic gain +15 dB to +60 dB
Maximum input level +6 dBu
Input impedance 600 Ohm
Talk Back Input
Quantity 1
Connector 3-pin XLR balanced line input
Maximum input level +21 dBu
Input impedance 10k Ohm
Analogue Audio System Outputs
Line Outputs
Quantity 8
Connector 3-pin XLR balanced line output
D/A converter 24 bit, 96 kHz with 128 x oversampling
Maximum signal level +21 dBu
Monitor Outputs
Quantity 4
Connector 3-pin XLR balanced line output
Maximum signal level +21 dBu
Assignable Outputs
Quantity 2
Connector 3-pin XLR balanced line output
Maximum signal level +21 dBu
Talk Output
Quantity 1
Connector 3-pin XLR balanced line output
Maximum signal level +21 dBu
Headphone Output
Quantity 2
Connector ¼" Jack (stereo
Maximum signal level +21 dBu
Digital Audio System Inputs and Outputs
AES3 Inputs
Quantity 4
Format Conforms to AES3-2009 (2 channels of digital audio)
Connector 3-pin XLR
Sample rate 32 kHz to 96 kHz
Bypass Sample rate converter bypass
AES3 Outputs
Quantity 4
Format Conforms to AES3-2009 (2 channels of digital audio)
Connector 3-pin XLR
Sample rate 48 kHz, 96 kHz or auto-tracking to inputs
Bypass Sample rate converter bypass
Word length 16, 20 or 24 bit
AES50 Audio
Quantity 3
Format Conforms to AES50-2011 (24 channels of bidirectional digital audio @ 96 kHz)
Connector Neutrik etherCON with status LEDs
Redundancy N+1 cable redundancy (X & Y)
Snake (Copper)
Quantity 2
Format KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz)
Connector Neutrik etherCON with status LEDs
Redundancy Dual cable redundancy (X & Y)
Snake (Fibre)
Quantity 2
Format KLARK TEKNIK HyperMAC (192 channels of bidirectional digital audio @ 96 kHz)
Connector Neutrik opticalCON DUO
Transmission 1.25 Gb/s 1000 base-SX physical layer on 50/125 multimode fibre
Redundancy Dual optical fibre redundancy (X & Y)
Ethernet Control Data
Quantity 2
Connector Neutrik etherCON with status LEDs
Redundancy Dual cable redundancy (1 & 2)
Word Clock Input
Quantity 1
Format TTL level, 96 kHz square wave
Connector 75 Ohm BNC
Word Clock Output
Quantity 1
Format TTL level, 96 kHz square wave
Connector 75 Ohm BNC
AES3 Sync Input
Quantity 1
Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz)
Connector 3-pin XLR
AES3 Sync Output
Quantity 1
Format Conforms to AES3-2009 (2 channels of digital audio @ 96kHz)
Connector 3-pin XLR
Output 96 kHz Grade II reference clock
Other Interfaces
External Ethernet Tunnel
Quantity 1
Connector Neutrik etherCON with status LEDs
Screen Outputs
Quantity 2
Connector Analogue VGA
KVM Inputs
Quantity 3
Connector Analogue VGA, USB keyboard & mouse
USB Interface
Quantity 2
Format USB 2.0 full speed (12.0 Mbit/s), 5 V 1 A maximum load
Connector USB Type A
MIDI Interface
Quantity 3
Format MIDI IN, MIDI OUT, MIDI THRU
Connector 5-pin DIN Displays
Quantity 2
Type 15" daylight-viewable colour TFT LCD screen
Displays
Quantity 2
Type 15" daylight-viewable colour TFT LCD screen
Power
Power Supplies
Quantity 3
Format PRO Series Power Supply Module (MKT-PSU-2)
Connector IEC mains inlet
Mains Input Voltage 100 to 240 VAC, 50 to 60 Hz
Redundancy N+1 power supply redundancy
Power Consumption
115 VAC 2 PSUs - 1.8 A, 207 W
3 PSUs - 1.9 A, 219 W
230 VAC 2 PSUs - 0.8 A, 184 W
3 PSUs - 0.9 A, 207 W
Physical
Dimensions 1365 mm wide x 940 mm deep x 434 mm high (53.7" x 37.0" x 17.1")
Net weight 120 kg (264 lbs)
Operating temperature range +5°C to +40°C
Storage temperature range -20°C to +60°C
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